What inspired your love for the arts?
I can’t pinpoint a single inspiration for my love for the arts; it’s something that’s always been a part of me. Growing up, art was my natural inclination, and I never considered any other path. It was less about inspiration and more of an innate passion I had for the arts.

Who did you look up to in the industry?
I wasn’t drawn to the arts because of anyone in particular; it was the art itself that captivated me. But once inside, I found figures like Hubert Ogunde, Fela Kuti, and Bob Marley. They helped shape the industry in ways that made me appreciate what was required to thrive.

How would you describe your journey as a theatre practitioner?
The journey has been like any other—filled with ups and downs, triumphs and failures. It’s been challenging but deeply rewarding. I’m grateful for the guidance from Olodumare (God) and the encounters that have added direction and substance to my work. Despite the challenges, I’d choose this path all over again.

As Artistic Director of Crown Troupe of Africa, what are your roles?
My role mainly involves guiding the creative process, but I’m lucky to be surrounded by talented, young, passionate creatives who bring fresh energy. We brainstorm ideas and execute them, and in the end, I get credited as the artistic director.

Between writing, acting, and directing, which is the most challenging?
Writing, without a doubt. It’s something I find difficult and only do because being recognized as a writer is quite significant. Directing is where my heart truly lies.

What has sustained Crown Troupe of Africa since 1996?
It’s all about passion and grace. I’ve stayed focused on what truly matters to me—the art itself, not just the business side. While financial gains can be inconsistent, the motivation comes from the fulfillment of each performance and the impact it has on others.

How has the industry changed since you started?
The industry has transformed in terms of acceptance and the availability of performance spaces. In the early days, we had limited options like the National Theatre and a few other elite venues. Now, we see more diverse spaces, but funding is needed to elevate productions.

You describe yourself as the ‘lead masquerade’ of Crown Troupe. Why?
I grew up in a royal family, so I was close to masquerade traditions. I’ve always been fascinated by their roles in the community—entertaining, correcting, and blessing people. Our performances at Crown Troupe aim to fulfill similar roles, providing both entertainment and insight.

What challenges have you faced as a theatre practitioner?
Acceptance has been one of the major challenges. As a former science student, transitioning to the arts wasn’t immediate, and the general perception of artists, especially dancers, can be limiting. It took time to be understood and appreciated.

How does the arts impact society?
The arts serve as a form of ‘soft power’ for any nation, showcasing its culture globally. Nigeria, however, underestimates this. Promoting the arts could create jobs and economic opportunities while presenting the country in a positive light internationally.

What distinguishes Crown Troupe from other theatre houses?
While there isn’t anything uniquely distinct, I’m honored when people compare my work to figures like Fela Kuti. It affirms that we’re carrying forward a tradition of impactful, authentic performance.

Were you discouraged when you began your journey in theatre?
No, I was enthusiastic initially. But as I achieved more, I started questioning the industry’s long-term impact. There are moments when I wonder if I’m just echoing what’s already been said. Yet, the need for expression always brings me back.

Do you think theatre can influence government decisions?
Yes, but only if the government has a sound intellectual foundation. Art influences culture and civilization, but it requires a receptive and knowledgeable audience in leadership to truly effect change.

Most memorable moments as a theatre practitioner?
There have been plenty, both positive and embarrassing. Once, after an applauded performance, we attempted an encore, but it flopped, and the crowd booed us off stage. Moments like these, though humbling, are unforgettable.

How do you balance work and family?
I’ve been blessed with a supportive family who attends my shows occasionally. It’s a privilege to have them involved and understand the nature of my work.